I’m back again this week with another arrangement to fill out the holes in the flute (and hopefully later piano) repertoire! This time, I took a look at Canadian composer Jean Coulthard‘s piano piece, “Alexa’s Music Box.” I found the piece in Music of Our Time, published by the Waterloo Music Company, Ltd.; it would be ideal for flute students playing at a Grade 1 RCM level.
flute-Coulthard-Alexa’s Music Box – Part for solo flute.
I’m looking into adding a very simple teacher duet part, also for flute, but I need to road test it with one of my flute students first. I’ll be sure to update the post if it turns out to be a worthwhile addition!
Over the past half of a year, I’ve been making a real effort to expand my music collection to reflect the composers I’ve featured in my History Hunt series (and hope to continue to feature when time and health permit!). It’s been a real challenge, though, especially with my flute music collection. There are real gaps–so much so that I recently had to apologise to one of my students for only giving her music by white men to play so far when neither of us fit that bill.
So I’ve started to do some very simple arrangements to fill in the gap a little. Normally, I keep my arrangements as a perk for members of my studio, but addressing the incredible imbalance in core flute repertoire is something I feel very strongly about. So, I’d like to make these arrangements generally available.
The first one I’ve completed is “Skipping Rope,” by Yelena Fabianovna Gnesina. It’s found in the Grade 5 Royal Conservatory of Music repertoire book; the arrangement should be suitable for flute students playing at a Grade 1/2 RCM level.
flute-Gnesina-Skipping Rope (Flute and Piano parts)
flute-Gnesina-Skipping Rope-flute part (Flute part alone)
I hope you all enjoy, and please feel free to send me feedback! I don’t arrange music as often as I should, and so I could do with some constructive criticism.
I’ve just posted three new arrangements to the Library section of my website for my students to download and play at their leisure: a beginning piano version of the first verse of “Firework” by Katy Perry, and beginner recorder versions of “Ode to Joy” by Beethoven and “Here Come the Bride.” I’m still not quite through all my current requests, so keep an eye out for at least one more addition in the coming weeks.
I’d also like to share with everyone the coolest phone I’ve ever seen:
This is an ordinary violin, right?
Wait a minute!
Sadly, this phone was sold sometime ago on Etsy. It’s a shame–I could think of more than a few music teachers who would love to get their hands on this. Teachers like me!
I enjoy pop music as much as the next person, but sometimes it’s fun for it to be shaken up a bit. And sometimes it’s fun for it to be shaken up a lot.
Postmodern Jukebox is a group headed by Scott Bradlee that has done dozens of remixes of recent and classic pop songs in genres from doo-wop to 1920s pop and in the styles of everybody from Marilyn Monroe to the Beach Boys. Here’s just one of their many remixes–there are plenty more on Youtube if you like what you hear!